Paperclips and racetracks
John Baker's 1969 logo for Kansas City
This post is supported by LogoArchive – The home of historical logos. Discover over 5000 of history’s greatest designs from the world’s finest designers. Updated every single day. Always find the logo inspiration you need for your next logo or branding project. Start here.
As Kansas City expanded, adding more counties to the north of the Missouri River, the Mayor called for the redesign of the city’s municipal seal, with the Municipal Art Commission assigning the job to the Design Department of the Kansas City Art Institute.
Taking inspiration from the city’s identity as ‘The Heart of America’ eight concepts were drawn up over a two year period and sent to Mayor. However, the Mayor, with a specific desire to see the seal feature the confluence of the Kansas and Missouri rivers, was not happy. Further ideas were sought, and the project was outsourced to an unnamed New York City design studio. These would also be rejected.
The Kansas City Art Institute spent four years conducting studies and generating proposals to find a solution. This was arrived at by design instructor John Baker who took inspiration from a sketch that had been created as part of the initial design stage four years prior but had not made it into the original presentation of eight concepts.
Baker’s concept was comprised of four interlocking hearts, constructed from two parallel lines, these symbolised the city’s identity as the heart of America and the two rivers. This, however, was met with mixed reactions amongst council members.
One council member called the design “far out” while another described it as “interlocking racetracks”. A majority of the city’s council members couldn’t see the hearts.
Councilman, G. Lawrence Blankenship showed the logo to an elevator operator at City Hall, offering him a cash prize if he identified it at a first glance. The operator couldn’t guess it. Further, a significant number of city residents interpreted the design as paperclips. Despite these concerns and confusion, the design became the official seal with a vote of 7 to 5, and would later be embraced by a growing number of locals in Kansas City.
The municipal seal, which was nicknamed ‘Paperclip City’, was used until 1992, replaced following a council motion by a new symbol that also used concentric lines to form a heart.
Thank you for subscribing to Logo Histories. If you enjoy reading this short you may also enjoy these resources from the same team:
Brand Archive – Research tool for brand designers.
LogoArchive Website – Searchable modernist logo archive & research tool.
LogoArchive Shop – Vintage design books & LogoArchive Zines.
BP&O – Contemporary design editorial.







